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Cara Saya berbagi tentang : Balawan, Komposer Tamu Other Minds Music Festival 2011 Untuk Menambah Wawasan

Cara Saya berbagi tentang Balawan, Komposer Tamu Other Minds Music Festival 2011 kepada teman-teman sobat blogger dirumah Tujuan artikel Balawan, Komposer Tamu Other Minds Music Festival 2011 menambah wawasan Jika Sobat Suka Dengan Balawan, Komposer Tamu Other Minds Music Festival 2011 dapat sharing dengan yang lainnya Ya udah Langsung saja Membaca Balawan, Komposer Tamu Other Minds Music Festival 2011 pada blog ini
I Wayan Belawan
Membuka Balawan US Tour 2011, yang disponsori oleh Kompas dan Kompas.com, gitaris I Wayan Balawan bersama dua pemain andal gamelan Bali, I Nyoman Suwida dan I Nyoman Suarsana, akan ambil bagian dalam Other Minds Music Festival 2011 di San Francisco (California, AS).
Festival setahun sekali itu kali ini akan digelar pada 26 Februari-5 Maret 2011 waktu setempat. Balawan, Suwida, dan Suarsana, dalam format trio Batuan Ethnic Fusion, akan tampil pada 4 Maret alias hari kedua konser, diskusi panel, dan simposium dalam festival tersebut. Balawan Cs akan memadu musik modern dari permainan gitar elektrik Balawan dengan musik etnik dari permainan gamelan Bali oleh Suwida dan Suarsana, yang mengikuti tur di AS itu dengan sponsor dari Kementerian Budaya dan Pariwisata.
Dalam festival itu, Balawan, yang baru pertama kali ke AS dan tampil di sana, ditempatkan sebagai komposer tamu bersama tujuh komposer lain dari Belanda, AS, dan Polandia. Oleh pihak Other Minds, komunitas penyelenggara festival musik tersebut, mereka termasuk para komposer paling inovatif di seluruh dunia. Mereka diundang untuk mengikuti empat hari Djerassi Resident Artists Program di Woodside (California) dan tiga hari konser, diskusi panel, dan simposium di San Francisco.
Other Minds merupakan organisasi nirlaba yang berpusat di San Francisco sekaligus komunitas global New Music yang memberi kesempatan kepada para komposer, mahasiswa, dan pendengar musik menemukan dan mempelajari musik inovatif karya para komposer dari seluruh dunia.
Konser-konser yang digelar dalam Other Minds Music Festival 2011 bisa ditonton oleh publik dengan tiket.

from: kompas.com
Cara Saya berbagi tentang Balawan, Komposer Tamu Other Minds Music Festival 2011 kepada teman-teman sobat blogger dirumah Tujuan artikel Balawan, Komposer Tamu Other Minds Music Festival 2011 menambah wawasan Jika Sobat Suka Dengan Balawan, Komposer Tamu Other Minds Music Festival 2011 dapat sharing dengan yang lainnya

Cara Saya berbagi tentang : Wisata Pantai Parai Tenggiri, Bangka Belitung Untuk Menambah Wawasan

Cara Saya berbagi tentang Wisata Pantai Parai Tenggiri, Bangka Belitung kepada teman-teman sobat blogger dirumah Tujuan artikel Wisata Pantai Parai Tenggiri, Bangka Belitung menambah wawasan Jika Sobat Suka Dengan Wisata Pantai Parai Tenggiri, Bangka Belitung dapat sharing dengan yang lainnya Ya udah Langsung saja Membaca Wisata Pantai Parai Tenggiri, Bangka Belitung pada blog ini
Penasaran dengan sebuah resort mewah yang terletak di sebelah timur dari kota Sungailiat. kami berangkat menuju resort yang terletak di pinggir pantai. Perjalanan dari kota Sungailiat selama 30 menit. Lokasi itu bernama Pantai Parai Tenggiri.
Pantai Parai terletak di kota Sungailiat, 30 km disebelah utara dari kota Pangkal Pinang. Pantai ini memberikan pesona keunikan dan kemewahan yang ada di Pulau Bangka.

Memasuki area wisata Pantai Parai Tenggiri, terkesan pantai ini telah dikembangkan sebagai objek wisata berskala internasional namun tanpa mengurangi unsur alami dan keindahan pantai. Untuk menuju ke tepian pantai, para pengunjung diharuskan memilih memasuki resort yang mengembangkan dan mengelola Pantai Parai Tenggiri.

Kami tertarik untuk menikmati Pantai Parai Tenggiri dari Parai Regency Beach Resort & Spa, karena hampir semua wilayah Pantai Parai Tenggiri berupa resort – resort. Memasuki area Parai Regency Beach Resort & Spa, kami memasuki bangunan utama dan beberapa villa untuk menuju ke tepian pantai.

Memasuki tepian pantai, terlihat hamparan pasir putih yang memanjang dari ujung pantai sebelah selatan hingga ujung sebelah utara. Pantai ini cocok digunakan untuk menikmati pesona sunrise di pagi hari. Bila dibandingkan dengan Pantai Sanur, objek wisata Pantai Parai Tenggiri tidak kalah bagusnya. Fasilitas yang ditawarkan oleh Parai Regency Beach Resort & Spa dapat disandingkan dengan fasilitas yang ditawarkan hotel-hotel mewah yang terdapat di sekitar Sanur.
Fasilitas yang ditawarkan Parai Regency Beach Resort & Spa ini antara lain:
  1. Parai Tirta Wisata, yaitu pusat permainan olah raga air terlengkap di Propinsi Bangka Belitung, di mana pengunjung dapat melakukan bermacam aktivitas menarik antara lain, naik glass bottom boat untuk menyaksikan ikan-ikan tanpa harus menyelam, parasailing untuk menikmati indahnya panorama pantai Parai Tenggiri dari ketinggian 50 meter, atau naik banana boat , jetski, kano serta snorkeling, di mana pengunjung bisa menyelam dengan fasilitas lengkap sembari menikmati indahnya pemandangan bawah laut.
  2. Hill Adventure, merupakan outbound training centre dengan permainan High Rope, Paintball, Jungle Trekking, Outbound Fun Games serta Student   Outing Program “Treasure Hunt
  3. Untuk memanjakan diri, pengunjung dapat menghilangkan kepenatan serta relaksasi di Martha Tilaar Salon & Day Spa maupun SRIWIJAYA SPA
  4. Swimming Pool, nikmati bercengkerama bersama keluarga sambil berenang dan langsung menikmati indahnya pantai parai tenggiri
  5. PLAYGROUND
  6. Souvenir Shop, Anda dapat membeli cinderamata khas Pulau Bangka
  7. Karaoke, bila ingin menikmati suasana dengan berkaraoke, terdapat Blue Star Theater, Karaoke & Live Music Cafe dengan hall berkapasitas 50 orang. Bila ingin bersantai dengan hiburan lain yang tidak kalah menariknya, Galaxy Music Cafe adalah tempat bersantai sambil menikmati alunan musik setiap malam dengan band ibukota serta dilengkapi dengan billiard 9 feet.

Menuju ke ujung pantai yang juga merupakan ujung resort, kami dapat melihat pemandangan berupa bangunan resort beserta The Rock Island, sebuah pulau kecil yang dihubungan dengan jembatan.

The Rock Island
Untuk menuju ke The Rock Island harus melewati sebuah jembatan kecil sejauh 200 meter. Dimalam hari, lampu-lampu di sisi jembatan akan menyala dan memberikan kesan yang unik dan romantis bagi pasangan yang berbulan madu ditempat ini.

The Rock Island Grill & Bar, begitu nama lengkap area ini memberikan daya tarik berupa restoran yang menyajikan barbeque dan seafood. Uniknya para pengunjung dipersilakan mengambil dan memanggang sendiri makanan yang akan disantai.

Selain menikmati makanan di tempat ini, para pengunjung dapat berfoto ria di tebing batu yang terletak di samping restoran ini. Tebing batu yang berwarna putih khas Pulau Bangka ini sungguh menarik dijadikan ajang untuk fotografi. Namun perlu berhati-hati karena batuan licin dan ada beberapa tanaman yang berduri tajam.

http://teamtouring.net/kemewahan-pantai-parai-tenggiri.html
Cara Saya berbagi tentang Wisata Pantai Parai Tenggiri, Bangka Belitung kepada teman-teman sobat blogger dirumah Tujuan artikel Wisata Pantai Parai Tenggiri, Bangka Belitung menambah wawasan Jika Sobat Suka Dengan Wisata Pantai Parai Tenggiri, Bangka Belitung dapat sharing dengan yang lainnya

Cara Saya berbagi tentang : Indonesian Culture, Traditional Performing Arts Untuk Menambah Wawasan

Cara Saya berbagi tentang Indonesian Culture, Traditional Performing Arts kepada teman-teman sobat blogger dirumah Tujuan artikel Indonesian Culture, Traditional Performing Arts menambah wawasan Jika Sobat Suka Dengan Indonesian Culture, Traditional Performing Arts dapat sharing dengan yang lainnya Ya udah Langsung saja Membaca Indonesian Culture, Traditional Performing Arts pada blog ini
Indonesia is home to various styles of music, with those from the islands of Java, Sumatra and Bali being frequently recorded. The traditional music of central and East Java and Bali is the gamelan.
On June 29, 1965, Koes Plus, a leading Indonesian pop group in the 1960s, 70s and 80s, was imprisoned in Glodok, West Jakarta, for playing Western-style music. After the resignation of President Sukarno, the law was rescinded, and in the 1970s the Glodok prison was dismantled and replaced with a large shopping mall.
Kroncong is a musical genre that uses guitars and ukuleles as the main musical instruments. This genre had its roots in Portugal and was introduced by Portuguese traders in the fifteenth century. There is a traditional Keroncong Tugu music group in North Jakarta and other traditional Keroncong music groups in Maluku, with strong Portuguese influences. This music genre was popular in the first half of the twentieth century; a contemporary form of Keroncong is called Pop Keroncong.
The soft Sasando music from the province of East Nusa Tenggara in West Timor is completely different. Sasando uses an instrument made from a split leaf of the Lontar palm (Borassus flabellifer), which bears some resemblance to a harp.

DANCE
Indonesian dance reflects the diversity of culture from ethnic groups that composed the nation of Indonesia. Austronesian roots and Melanesian tribal dance forms are visible, and influences ranging from neighboring Asian countries; such as India, China, and Middle East to European western styles through colonization. Each ethnic group has their own distinct dances; makes total dances in Indonesia are more than 3000 Indonesian original dances. However, the dances of Indonesia can be divided into three eras; the Prehistoric Era, the Hindu/Buddhist Era and the Era of Islam, and into two genres; court dance and folk dance.
There is a continuum in the traditional dances depicting episodes from the Ramayana and Mahabharata from India, ranging through Thailand, all the way to Bali. There is a marked difference, though, between the highly stylized dances of the courts of Yogyakarta and Surakarta and their popular variations. While the court dances are promoted and even performed internationally, the popular forms of dance art and drama must largely be discovered locally.
During the last few years, Saman from Nanggroe Aceh Darussalam has become rather popular and is often portrayed on TV.

DRAMA AND THEATRE

Wayang, the Javanese, Sundanese, and Balinese shadow puppet theatre shows display several mythological legends such as Ramayana and Mahabharata, and many more. Wayang Orang is Javanese traditional dance drama based on wayang stories. Various Balinese dance drama also can be included within traditional form of Indonesian drama. Another form of local drama is Javanese Ludruk and Ketoprak, Sundanese Sandiwara, and Betawi Lenong. All of these drama incorporated humor and jest, often involving audiences in their performance.
Randai is a folk theatre tradition of the Minangkabau people of West Sumatra, usually performed for traditional ceremonies and festivals. It incorporates music, singing, dance, drama and the silat martial art, with performances often based on semi-historical Minangkabau legends and love story.
Modern performing art also developed in Indonesia with their distinct style of drama. Notable theatre, dance, and drama troupe such as Teater Koma are gain popularity in Indonesia as their drama often portray social and political satire of Indonesian society.

Martial Art
The art of silat was created and firstly developed in the islands of Java and Sumatra. It is an art for survival and practiced throughout Indonesian archipelago. Centuries of tribal wars in Indonesian history had shaped silat as it was used by the ancient warriors of Indonesia. Silat was used to determine the rank and position in old Indonesian kingdoms.
Contacts with Indians and Chinese was further enriched silat. Silat reached areas beyond Indonesia mainly through diaspora of Indonesian people. People from various regions like Aceh, Minangkabau, Riau, Bugis, Makassar, Java, Banjar, etc. moved into and settled in Malay Peninsula and other islands. They brought silat and passed it down to their descendants. The Indonesian of half-Dutch descent are also credited as the first to brought the art into Europe.
Silat was used by Indonesian freedom fighters during their struggle against the Dutch colonists. Unfortunately after Indonesia achieving their independence, silat became less popular among Indonesian youth compare to foreign martial arts like Karate and Taekwondo. This probably because silat was not taught openly and only passed down among blood relatives, the other reason is the lack of media portrayal of the art.
Efforts have been made in recent years to introduce and reintroduce the beauty of silat to Indonesian youth and the world. Exhibitions and promotions by individuals as well as state-sponsored groups helped the growing of silat's popularity, particularly in Europe and United States. Indonesian 2009 Silat movie Merantau is one of Indonesian efforts to introduce silat to international scene.
Another martial art from Indonesia is Tarung Derajat. It is a modern combat system created by Haji Ahmad Drajat based on his experience as a street fighter. Tarung Drajat has been acknowledge as a national sport by KONI in 1998 and is now using by Indonesian Army as part of their basic training.

Source : wikipedia
www.thejeo.blogspot.com

Cara Saya berbagi tentang Indonesian Culture, Traditional Performing Arts kepada teman-teman sobat blogger dirumah Tujuan artikel Indonesian Culture, Traditional Performing Arts menambah wawasan Jika Sobat Suka Dengan Indonesian Culture, Traditional Performing Arts dapat sharing dengan yang lainnya

Cara Saya berbagi tentang : About Kejawen Untuk Menambah Wawasan

Cara Saya berbagi tentang About Kejawen kepada teman-teman sobat blogger dirumah Tujuan artikel About Kejawen menambah wawasan Jika Sobat Suka Dengan About Kejawen dapat sharing dengan yang lainnya Ya udah Langsung saja Membaca About Kejawen pada blog ini
Kejawen, a Javanese traditional spiritual teaching, The ancient people of Java since 3000 years BC had known the wet-rice cultivation. This system of agriculture requires a smooth cooperation between villagers, is still being practiced to this day. The villagers must have a very high consciousness to organize such a complicated arrangement to be a smooth cooperation, benefited all parties involved. Besides the wet-rice cultivation, they have known also among other fishery, astronomy, cloth weaving, batik, gamelan & wayang. Before the arrival of Hinduism and any other world religions, the Javanese had already a culture & belief(s) of their own.
In some Javanese traditional ceremonies, ancient rituals remain in place to this day. It is a proof that Javanese people are smart in preserving their precious identity. Besides the existence of widely recognized religions such as Hinduism, Buddhism, Islam & Christianity, a local belief popularly known as Kejawen or Kebatinan does continue to exist.
Kejawen from the word Jawa (Java) : Javanism, is a Javanese spiritual knowledge in search of good & correct way of life, so the persons practicing the teaching correctly & wholeheartedly should find the spiritual way to true life (urip sejati => urip = life, sejati = true) achieving the harmonious relation between servant & God, JUMBUHING KAWULO GUSTI (jumbuh = a good, harmonious relation, kawulo = servant, gusti = Lord, God).This is Kasunyatan - The Reality, Kebatinan from the word Batin = inner, spiritual. Kebatinan = spiritualism, generally understood as the spiritual teaching of belief in one God.Some are of the opinion that Kejawen has a broader meaning than Kebatinan, except kebatinan it consists, also of way of thinking, art, tradition, culture etc.The existence of Kejawen, in no way can be separated from the Javanese way of life & thinking, the nature & the tradition.
A Javanese concept prevails to this day is Mamayu Hayuning Bawono - to preserve the beauty of the world in a broader sense means to preserve the universe for the welfare of its inhabitants.By nature, a Javanese is an environmentalist, a preserver of nature as clearly shown in their natural oriented tradition & rituals.Living in harmony is of prime important - the harmonious relation among people in the society: between human beings and the universe & harmonious relation between servant & God.
Since their tender ages, the Javanese have been educated by their parents, families, society, teachers etc, the lessons of belief in God, moral behavior & etiquettes etc.The elder Javanese always say that all religions are good. So far there is no conflict in Java due to religious differences.Up to present date, the four royal palaces in Yogyakarta & Surakarta (Kasultanan under King/Sultan Hamengku Buwono X, Pakualaman under Viceroy/Adipati Pakualam IX, Kasunanan under King/Sunan Paku Buwono XII, Mangkunagaran under Viceroy/Adipati Mangkunagara IX) are the centers of Javanese court culture, where royal ceremonies from the old days are still performed.The people culture such as "The Village Cleansing" ceremonies dated back from ancient period take place almost intactly.

Javanese beliefs
Javanese beliefs (Kebatinan or Kejawen) have principles embodying a search for inner self but at the core is the concept of peace of mind. Although Kejawen is not strictly a religious affiliation, it addresses ethical and spiritual values as inspired by Javanese tradition. It is not a religion in usual sense of the word, like Islam, Judaism, or Christianity. There are no scriptures such as the Bible or the Qur'an, nor are there prophets. There is no emphasis on eschatology (i.e., life after death, heaven or hell, devils or angels).
Kebatinan
Kebatinan is a metaphysical search for harmony within one's inner self, connection with the universe, and with an Almighty God. Javanese beliefs are a combination of occultism, metaphysics, mysticism and other esoteric doctrines, exemplifying a Javanese tendency for synthesis. The Javanese system is so flexible that syncresis in all manifestations is attainable, even that which is in conflict. Javanese ideals combine human wisdom (wicaksana), psyche (waskita) and perfection (sempurna). The follower must control his/her passions, eschewing earthly riches and comforts, so that he/she may one day reach enlightened harmony and union with the spirit of the universe.

Meditation

Generally speaking, the Kebatinan follower believes in the existence of a superconsciousness in the cosmic world which is beyond humankind's comprehension, yet controls and guides humans' affairs and destiny. This superconsciousness is believed to be contacted via meditation. There are several meditation techniques (tapas): tapa kalong (meditation by hanging from a tree), Tapa Geni (avoiding fire or light for a day or days), Tapa Senen (fasting on Monday), Tapa Mutih (abstention from eating anything that is salted and sweetened) and Tapa Ngablek (isolating oneself in dark rooms). Fasting is a common practice employed by Javanese spiritualists in order to attain discipline of mind and body to get rid of material and emotional desires. Many Kebatinan followers meditate in their own way to seek spiritual and emotional relief. These practices are not performed in churches or mosques, but at home or in caves or on mountain perches. Meditation in Javanese culture is a search for inner self wisdom and to gain physical strength. This tradition is passed down from generation to generation.
source : indonesian culture and wikipedia
www.thejeo.blogspot.com

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Cara Saya berbagi tentang : Central Borneo Dance - Indonesian Culture Untuk Menambah Wawasan

Cara Saya berbagi tentang Central Borneo Dance - Indonesian Culture kepada teman-teman sobat blogger dirumah Tujuan artikel Central Borneo Dance - Indonesian Culture menambah wawasan Jika Sobat Suka Dengan Central Borneo Dance - Indonesian Culture dapat sharing dengan yang lainnya Ya udah Langsung saja Membaca Central Borneo Dance - Indonesian Culture pada blog ini
Central Borneo Dance, Arts are part of Dayak life. There are many various arts such as dancing, carving, weaving, sculpturing. Their sculptured carvings and statues physically represent their gods, and their carvings are influenced by their culture and beliefs.

Dances are performed during a ritual ceremony to welcome their heroes or their important guests. There are a number of dances from Central Kalimantan, such as:
  1. Tari Mandau (Mandau Dance). This dance is performed when welcoming important guests for a ceremony, but it is also performed for friendship or when welcoming heroes after a war victory. This dance is performed by old and young people, men or women.
  2. Tari Mandau Kinyah (Mandau Kinyah Dance). This dance is performed particularly for heroes who are returning from war.
  3. Tari Giring-giring (Gring-giring dance). This dance is danced by men and women as couples. Each dancer holds one or two bamboo sticks. One of the bamboo sticks is filled with small stones, and when it is shaked it produces a sound which is accompanied by traditional music by the Kangkanong (Gamelan) and drum. The Giring-giring dance is performed to celebrate special occasions and to welcome guests.
  4. Tari Manggetem (Harvesting dance). This dance is performed at harvest in order to express thanks to the God/gods for the overwhelming bounty.
  5. Tari Gelang Bawo (Gelang Bawo Dance). Gelang Bawo dance comes from Dayak Maanyan whose name was Tewang Rawayab. Tewang Rawayab lived in the highland of the Dayak Bawo area. The story of this dance is: One day the chief of the Bawo named Dataktoo had a son whose name was Lala. Lala's hobby was hunting. The dance shows Lala's prayerful demonstration of hunting capabilities and skills.
  6. Tari Gelang Dadas (Gelang Dadas Dance). This Dance is usually performed by women. The story of this dance is: Once, there was a girl whose name was Lue Payung Gunting. One day she meditated and met a cobra and jaguar. These two animals gave her instructions for gaining supernatural power. When she was able to dance, her body moved like the snake's body and she could fly like an eagle in the sky.
In addition to the dances that have been mentioned above, there are still a number of beautiful Dayak Dances such as: Bukas, Balau Nganjan, Kanjan Palu, Kerangkang and Dandang Tingan dances.

Murung Raya Dance



source : Indonesian Culture
www.thejeo.blogspot.com
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Cara Saya berbagi tentang : Music of North Sumatra - Indonesian Culture Untuk Menambah Wawasan

Cara Saya berbagi tentang Music of North Sumatra - Indonesian Culture kepada teman-teman sobat blogger dirumah Tujuan artikel Music of North Sumatra - Indonesian Culture menambah wawasan Jika Sobat Suka Dengan Music of North Sumatra - Indonesian Culture dapat sharing dengan yang lainnya Ya udah Langsung saja Membaca Music of North Sumatra - Indonesian Culture pada blog ini
Music of North Sumatra - Indonesian Culture, 75 thousand years ago, a volcano erupted deep in the interior of North Sumatra, spreading ash as far as Sri Lanka and leaving behind a crater now known as Lake Toba. One hundred kilometers long, it is the largest volcanic crater lake in the world. The fertile volcanic soils of its shores have supported intensive agriculture for millenia. Its great natural beauty has made it Indonesia's third-largest tourist attraction. This is the original homeland of the Batak, a family of seven Indonesian ethnic groups with a population of perhaps two million.



These seven groups (Toba, Karo, Simalungun, Pak-pak, Dairi, Angkola and Mandailing) have related but distinct languages, customs, and traditional arts. Such is the variety of Batak music and dance that no one program could present even a sampling of it all. Festival of Indonesia has chosen to concentrate on three highly contrasting traditions: those of the Toba, the Karo and the Mandailing.


The Batak groups are divided by religion (the Mandailing are Islamic; the Toba, Christian) and by language (Toba and Karo in particular are mutually unintelligible), but unified by a common passion for genealogy. It is not unusual to meet Batak men who can recite fluently the names of eight generations of their ancestors. These ancestral trees represent a sort of blueprint for Batak society; they explain the origins of and relations between the clans (marga) which dominate Batak social life.


Every Batak belongs to one of these patrilineal clans. They are exogamous: a man may not marry a woman from his own clan, but must search among other clans for a wife. The marriage ties which link clans form an intricate web of kinship which touches every aspect of Batak society. The clans also order Batak culture, ceremony, mythology and the arts.


There are musical compositions specific to one or another clan; clan membership determines the order of events at the life-cyle ceremonies at which music and dance are essential.


Music and dance play a crucial role in Batak society. The word for "ceremony" ("gondang" in Toba; "gendang" in Karo) is actually a musical term and refers both to the Batak orchestra of drums, gongs, and oboes and also to the tunes they play. The musicians are essential to a ceremony because they are the intermediaries between humanity and the Creator. The sounds of the drums and gongs convey human prayers to the spirit world.


Musicians thus command great respect in traditional Batak society and they must follow a certain code of behavior. "The musicians must be honest men," explained one old Toba Batak man, "otherwise they risk angering the spirits."
Gondang Uning-Uningan




Batak Toba Dance




Karonese Traditional Dance





Dembas Simenguda Dance Tapanuli




http://myindonesianculture.blogspot.com/2008/01/music-of-north-sumatra.html
www.thejeo.blogspot.com
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Cara Saya berbagi tentang : Golek Sulung Dayung - Indonesian Culture Untuk Menambah Wawasan

Cara Saya berbagi tentang Golek Sulung Dayung - Indonesian Culture kepada teman-teman sobat blogger dirumah Tujuan artikel Golek Sulung Dayung - Indonesian Culture menambah wawasan Jika Sobat Suka Dengan Golek Sulung Dayung - Indonesian Culture dapat sharing dengan yang lainnya Ya udah Langsung saja Membaca Golek Sulung Dayung - Indonesian Culture pada blog ini
Golek Sulung Dayung, This Classical Javanese Dance comes from the court of Yogyakarta. It depicts a young woman's desire to always look her best. The dancers seen here belongs to the Yayasan Siswa Among Beksa which was created by the brother of Sri Sultan Hamengkubuwono IX in 1952. The dance foundation's goal is to preserve and develop the Classical court dance of Yogyakarta and the Mataram style.

Golek Sulung Dayung including the coquettish dance because this dance portrays a woman who was dressed up. Many varieties of these dances that depict women being dressed up, like for example sampur Games movement, or pairs of ali-ali, there is also ngilo and so forth.

This dance is actually more dynamic than srimpi or bedaya. These include classical dance, modern dance gendingnya faster and more pleasant rhythm. Usually someone who learned this dance can be faster than learning another dance, because dance puppet is the oldest rowing pleasing.



from : various sources
www.thejeo.blogspot.com
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